Yesterday I said Gwen Stefani’s comeback single would definitely be a grower, especially with the help of a fun music video and some energetic performances.
The video is here. It’s not that great.
The visuals begin with Stefani posing and serving face for the camera, proving why she once teamed up with L’Oreal. The scene gives way to a colorful scene in which Stefani walks down a yellow road. A majority of the video focuses on this scene.
Her strut is strong, but it’s not THAT strong. I mean, really.
There’s some fun dancing in there and the colors and bright, but I’m extremely overwhelmed.
In related news, TIME did an article on Stefani’s appropriation of Asian culture yesterday. There’s no way the Harajuku lover was going to make a comeback in 2014 when cultural appropriation is such a hot topic without being criticized for that time in her career. Continue reading
I didn’t want to like “Tuesday.” Honestly, I didn’t. I wanted to believe Drake didn’t know what he was doing when he decided to show off his falsetto, but it turns out, he was right…again. “Tuesday” is addictive.
The music video is a bit odd, though. The new visuals show Makonen and Drake partying in the club and drinking from Styrofoam cups as every day people perform their daily tasks while singing the words to the hit song. There are also really strange mannequin heads flying through the air and girls with white and red paint on their faces. Continue reading
Today started off as a normal Monday, but it certainly isn’t ending that way. Danity Kane’s “All In A Day’s Work” has leaked and I can’t go to sleep until I do the live choreography at least 20 times and learn all of the words.
“What you doing, huh?” Something more productive? Probably. “Racking in some bacon in some high heels and a skirt?” Probably not at this hour (Although if you are I certainly won’t judge.).
Is the studio version of “All In a Day’s Work” anything new? Not really. It’s actually exactly what the extended preview and live version made it out to be, but that’s not a bad thing. It’s a pretty solid girl anthem from the now defunct girl group.
At least the quintet turned quartet turned trio (turned duo?) is going out on a high note.
DK3 is out on Oct. 27.
It’s hard to believe Taylor Swift’s 1989 is only a week away from being released. If you were hoping for an album stream we haven’t gotten that, yet, but we do have the album’s opening track “Welcome To New York.”
Swift described the importance of starting the album with the song in an interview. “I wanted to start the album with this song because New York has been an important landscape and location for the story of my life in the last couple of years,” she said. “The inspiration that I found in that city is kind of hard to describe and hard to compare to any other force of inspiration I’ve ever felt in my life.”
The fun cut follows the 80s synth-pop sound that Swift promised to explore on 1989.
Its repetitive. It’s catchy. It shows Swift continuing to make her official crossover into pop music with ease.
“Welcome To New York” will be available on iTunes at midnight. Continue reading
There are few songs that currently make me happier than Clean Bandit and Jess Glynne’s “Rather Be” and “Real Love.” While “Rather Be” is nearly a year old, it is still doing well in the U.S. (it’s no. 12 on the Billboard Hot 11 right now). Meanwhile, “Real Love” has only been out for a few weeks, but I suspect it will be pretty big, too.
The UK collaborators have just released the music video for “Real Love” and the visuals are as infectious as the song’s production.
The video shows Clean Bandit and Glynne in the studio recording the single and performing on stage, in between shots of couples locking lips.
This is real love, people. And real love involves a lot of making out in public places.
Get into my latest obsession below. Continue reading
I’m not entirely sure when Cuffing Season starts but I’m pretty sure it’s either already started or right around the corner. Either way, it’s only right that a new Drake song is dropped into the mix. AND, not just any Drake song. A Drake song that samples Jodeci (“My Heart Belongs To You”).
The rapper wasn’t being thoughtful and dropping a new song for your late night, cold weather, emotions, though. “How About Now” was apparently leaked by a teenager in Marietta, Georgia. He claimed the song was from Drizzy’s forthcoming album, but there’s honestly no way of knowing.
And, honestly, I don’t care. When a new Drake song drops out of thin air you don’t waste time asking questions.
“Crazy how you gotta wait until it’s dark out to see who’s really with you,” Drake raps in the new leak before reminiscing on the time when he dropped his other prospects and drove in the snow for his girl. So romantic.
The internet is buzzing with claims that the voicemail at the beginning may be from Drake’s friend Nicki Minaj. It doesn’t sound like her TO ME, unless, of course, the rapper put on one of her famous accents for the voicemail… Still, I can’t imagine Minaj telling someone they “cheese her, dog.”
The song has unsurprisingly been taken off Soundcloud, but you can hear it here.
There was a point in time when fans thought they’d never get another solo project from No Doubt’s leading lady Gwen Stefani, but shortly after the singer confirmed her spot as a judge on on NBC’s The Voice, rumors about a solo single began to swirl.
This weekend “Baby Don’t Lie” leaked.
The song was written and produced by Benny Blanco and Ryan Tedder and it’s everything you’d expect from a Gwen Stefani comeback single. Stefani’s signature vocal delivery and the song’s breakdown make the cut distinctly hers, while the bright production could’ve easily gone to another pop star (hey, Rihanna).
The new single may not instantly spark your attention, but after a performance, music video and some promo, I suspect it will catch on.
Stefani’s forthcoming album will be her third solo album and her first since 2006’s The Sweet Escape. No Doubt released Push and Shove, their first album in over a decade in 2012.
Update: If “Baby Don’t Lie” doesn’t do the trick, perhaps “Spark the Fire” will. A snippet of the new cut, a collaboration with fellow The Voice judge Pharrell, finds Stefani rapping instead of singing. The two have certainly created magic in the past (“Hollaback Girl”). Let’s see if they can do it again. Continue reading
Karmin’s journey has been interesting, albeit a bit bumpy. The real-life couple that made it big off YouTube covers released their debut album Pulses earlier this year but the album didn’t do much commercially and the band has since parted ways with Epic.
If you’re worried about what’s next for the duo, their newest offering “Sugar” should ease your mind. The sexy strings and bass-driven cut finds lead singer Amy Heidemann admitting her obsession with her new lover. “I can’t think about anybody but you,” she sings in the earworm hook. You won’t realize how addictive it is right away, but you’ll probably wake up tomorrow morning singing it.
Heidemann’s rap verse is as corny as ever, but the other verses and catchy hook make up for it.
For the visuals, Heidemann and her beau/bandmate Nick Noonan sit on a couch and pose in slow motion. Towards the end of the song, the bass is the only thing that remains of the instrumentation as Heidemann delivers a few memorable melismas and grabs her lover’s face for a kiss. Continue reading
When I saw “No Ordinary Love” listed as a track on You + Me’s debut album rose ave. I hoped it was a cover of Sade’s 1992 hit. And, luckily, it was.
The duo, comprised of Pink and Dallas Green (aka City and Colour), delivered a bleak cover of the song atop a piano backing for their version, which they recently performed live in Santa Monica, California.
Obviously, it has nothing on the original, but the two singers’ voices blend well together. It’s quite beautiful.
It’s enough to make me miss The Civil Wars. You + Me sound good, but the new folk duo doesn’t have the chemistry that the now defunct group had. Their connection was palpable.
rose ave. is in stores now. Continue reading
When Georgia Nott visited Georgia for the first time with her brother and bandmate Caleb earlier this month to open for Sam Smith, I was in the audience cheering and singing along. Less than 24 hours before the New Zealand duo’s debut album Evergreen was released in the U.S. on Oct. 7, the siblings put on an energetic and entertaining show at The Tabernacle in Atlanta.
One of the highlights was a stripped down performance of “Bridges.” Georgia really shined through on this version. Where the atmospheric album version starts off as a piano ballad and builds, adding booming drums and synths, the live version only features the piano backing.
Luckily, even if you don’t get a chance to see the duo perform the cut live, you can watch a performance now courtesy of their label Capitol.
Watch the 1 Mic 1 Take performance below. Continue reading